Minimal With Maximum Effect – CROWS ON WIRES With Single ‘CROWS DANCE’

New striking strokes

27 November 2021

Band: CROSS WIRES
Who: Dark-dream-wave project from Dresden, Germany.
Crows on Wires prefer candlelight, enabling listeners to
dive into their spiritual world and to follow their imaginary
trip through light and darkness, through fears and longings.

New single: CROWS DANCE

Score: After sickly sticky single This Is Not the mysterious German
act drops another irresistible synth-drenched ditty with a repetitive
synth and drum beat, and monotone, yet magnetic female vocals.
Cold waves to dance to, orchestral maneuvers in the dark to lose
yourself in. Keep it minimal with maximum effect, join the crows
and dance.

Right here, right now…

CROWS ON WIRES: Facebook

These Are TURN UP THE VOLUME’S 20 Knockout Tracks Of 2021 (So Far)

This year’s best tracks (so far)…

Yes, we have already reached the middle of 2021. The world, finally, looks brighter
than last year. Mad summer parties are just around the corner. And here’s the perfect soundtrack… Turn Up The Volume’s 20 best knockout tracks of 2021, so far!

All together on Spotify…

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Track by Track

1. ‘Finger Pies’ by ANIKA (Berlin)
Electro earworm that moves and grooves from the get-go driven by a rolling
bass riff. Strangely catchy, mysteriously designed with a hypnotic effect. Top!

Catch the vibe…

2. ‘Nike Soldier’ by ALAN VEGA (US)
Alan Vega is dead! Long live Alan Vega! This spine-chilling
slo-mo groove comes from his lost album Mutator.

Check in…

3. ‘Night Is Mine’ULTRA SUNN (Brussels, Belgium)
Combine D.A.F.‘s industrial vibes, Sisters Of Mercy‘s gloom and doom hallucinations, and Depeche Mode‘s pop-noir thrills and you know it’s time for a dazzling night. It’s the title track from their standout debut EP.

Put on your leather jacket and dance…

4. ‘One + One’ by DEATH FROM ABOVE 1979 (Canada)
With Is 4 Lovers the Canadian champions of drone noise rock made one of their best
full-lengths (so far). And the lead-single ‘One + One’ is a bulldozing, yet catching power blast that comes right at you.

Get slammed…

5. ‘Ten Points On The Damage Meter’ by HOW TO LOOT BRAZIL (Germany)
No rest for all who are addicted to dance their asses off. This is a hip-shaking belter, 145 seconds of steamed-up pop-punk euphoria. Imagine German dark disco legends D.A.F. on speed, fronted by Brit-girls Shampoo who are in trouble again.

Here comes the shot of adrenalin…

6. ‘Coma-Inducing Gibberish‘ by PIZZA CRUNCH (Scotland)
Scottish hit the bullseye with this sturdy stunner. A fab-tastic masterstroke to shut up all narcissists. Beware of getting too excited. It can lead to a rock ‘n’ roll coma. Whatever! Go for it!

Right here, right now…


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7. ‘Stay’ by ONISM E (New York)
A soul-stirring and highly affecting vocal highlight – from one of the best albums of 2021 – by this rad emo-striking NY-based outfit. Stream/buy ‘Survivors’ LP here.

And stay for this pearl…

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8. ‘Fall Of The Big Screen’ by DEADLETTER (South London)
Imagine George Orwell fronting The Fall back in Nineteen Eighty-Four scaring the
world with a grim, futuristic vision of humankind about to collapse in 2021 due to
a deadly virus. Scary!

Turn up the heat here…

9. ‘Wake Up’ by LOBSTERBOMB (Berlin, Germany)
A screaming triumph. This up-and-coming Berlin trio combines Bikini Kill‘s rough
outcries, L7‘s detonating gusto, and B-52‘s peppery liveliness. Touchdown!

Wake up here…

10. ‘Heroin’ by PERMO (Scotland)
A sizzling slice of trash and slash punk. Expect 135 striking seconds of heavy thunder
and creepy lighting. Totally insane drums and bass, deranged guitar frenzy, and cranked-up, psych-o-tic howling. Fucktastic intensity!

Hell yeeeaaahhhh…


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11. ‘We… Are Doomed’ by THE IRRATIONAL LIBRARY (Dutch-American)
A challenging rap and roll rant by an open-minded-plainspoken-ass-kicking-anti-establishement-and-other-scumbags force of doom and gloom. The title track from
this caring collective’s excellent new album.

Apocalypse now…

12. ‘Boilermaker’ by ROYAL BLOOD (UK)
The blues-rock tandem is back with this motherfucker of
a slam dunk from their brand new album Typhoons.

Wham bloody wham bam…

13. ‘The Men Who Rule The World’ by GARBAGE (US/Scotland)
A surprisingly funky disco banger that triggers your head’s up-and-down movement the very moment the money drops into the corrupt politicians’ pockets. I still love you, Shirley!

Let’s roll…

14. ‘This Is Not’ by CROWS ON WIRES (Germany)
Sultry synths, punchy percussion, glimmering guitar lines, and vibratory vocals.
Sounds like Sisters of Mercy are back, produced by Bauhaus who listened to Soft
Cell
on repeat. A stunner, indeed!

Get magnetized here…

15. ‘Vendetta’ICEAGE (Denmark)
An intoxicating jam with a threatening pace. A glam
power punch from their best-ever album Seek Shelter.

Press play and get moved…

16. ‘Not To’ by WOLFVANWYMEERSCH (Belgium)
Melancholia at its starry-eyed, synth-pop best. Here’s a romantic at heart, going
solo, who’s sanely obsessed with creating music, playing music, and enjoying music,
if possible, all at the same time. Damon Albarn‘s moody side comes to mind.

Dim the lights and enjoy…

17. ‘Unspoken’ by ANNIE TAYLOR (Switzerland)
A troubled love reverie with a sorrowful touch. Heartbreaking romanticism at its balladesque best, notable for its vocal splendour and silver-toned resonance.

Enjoy the sweet little pearl…


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18. ‘Carry Me On’ by THE BANKROBBER (Italy)
This new musing feels like a nightly gloaming. Acoustic soul-searching and intimate tenderness. The darksome sorrowfulness of several past and present crooners come
to mind when hearing this gloomy song.

Dream away…

19. ‘Man Alone (Can’t Stop The Fadin’)’ by TINDERSTICKS (Nottingham, UK)
Surprising stonker! An 11-minute psychedelic and epic journey. Trippy and spacey.
From their new, 13th album, Distractions.

Follow the flow…


20
. ‘Amsterdam’ by MOONLIGHT PARADE (UK)
Magical and red-colored ballad, combining the melodic melancholia of Teenage Fanclub and The Coral. A sweet little gem about a wonderful city I’m in love with for a long time now. Press play and let your thoughts drift away on a cloud.

Listen to the beauty here…

See/hear you next time, music junkies…

Turn Up The Volume’s KNOCKOUT TEAM OF THE MONTH – May 2021

The best of the past month…

Turn Up The Volume‘s 15 Knockout Tracks for May 2021!
A sassy stream of rambling rippers and jagged jackhammers.

‘Racist, Sexist Boy’ by THE LINDA LINDAS (Half Asian / Half Latinx)
Young kids standing up and making a sharp-cutting, alarming statement
about racism and sexism with a spot-on, in-your-face, loudmouthed punk
anthem à la Bikini Kill. I love it, so should you.

Plug in here…

‘Weather Strike’ by TOM MORELLO and PUSSY RIOT (US/RUSSIA)
Riot, bloody riot, yeah! Morello and Pussy Riot rage against the machine
together with a quiet/Loud/quiet/Loud crossover outburst. I repeat:
riot, bloody riot, yeah.

Press pussy play…

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‘Finger Pies’ by ANIKA (Berlin)
Electro earworm that moves and grooves from the get-go driven by a rolling
bass riff. Strangely catchy, mysteriously designed with a hypnotic effect. Top!

Catch the vibe…

‘Heat’ by WHISPERING SONS (Belgium)
This is the best Whispering Sons song my ears ever heard. Heat takes you by the throat from the kick-ass kickoff. A haunting and sickly sticky stomper. A 24-carat rocker!

Press play here…

‘Le Jour Du Cobra’ by LA JUNGLE (Belgium)
A bulldozer-feedback intro, repetitive synth-thrills, glowing guitars, freakish voices and a thunderous pace all rolled into one mad-as-a-hatter Kraut-noise escapade making your mind go dizzy, your heart beating faster and your potency going sky-high. Fuck Viagra,
long live La Jungle!

‘Vendetta’ by ICEAGE (Denmark)
An intoxicating jam with a threatening flow. A first-rate power blow.
From their new, brilliant longplayer Seek, Shelter.

Tune in…

‘Slice Of Pain’ by BLACK INK STAIN (France)
All hell breaks loose from the very start. An obstreperous post-punk sledgehammer with a deafening dose of illegal decibels. Opening missile from their excellent Incidents album.

Here comes the blast…


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‘Shallow’ by BIG TIME KILL (Boston, MA)
In a normal world, Big Time Kill should be know wide and far. Their massive
wall-of-electro-rock-shock is titanic, overwhelming at times, and served with a
gigantic gusto to blow roofs off dance floors. Shallow is my favorite piece of their staggering new 4-tarck EP Recovery.

Dance around and around…


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‘Cosmic Fingers’ by PAUL WELLER (UK)
No rest for the Modfather. The last few years his production is impressive and
a couple of weeks ago another LP, Fat Pop hit the streets. Lead-single Cosmic Fingers proves once again that Weller still can rock out like the best. That’s entertainment!

Fire it up, Weller…

‘This Is Not’ by CROWS ON WIRES (Germany)
Sultry synths, punchy percussion, glimmering guitar lines, and vibratory vocals.
Sounds like Sisters of Mercy are back, produced by Bauhaus who listened to Soft
Cell
on repeat. A stunner, indeed!

Get magnetised here…

‘Party’ by LOVE ITOYA (Greek Nigerian)
This feels so good. Upbeat, happy and totally summer. Only Love Itoya‘s second
single but definitely one to start and stop all coming sunlit beach jamborees with.
Yes, the sun shines again. Finally! Post-pandemic hope for the future, right here!

Party time indeed…

‘Joker’ by THE HACIENDAS (Manchester, UK)
The Haciendas rattle their butts off on this new fervent firecracker. They turn up the temperature with electric-powered riffs-hooks-and-licks and a clear-cut chorus. One message for all doubters out there: guitar rock is not dead.

Here‘s why…

‘I Said That You Looked Fine’ by ALEX JAMES (North East England)
This banging belter has an instant effect on your body movements. Expect a steamy stonker that rattles and rolls with swagger and energy. Big guitars, big chorus, big tune. What do you want more? Okay, we agree.

Tune in and start the beat…

‘Carry Me On’ by THE BANKROBBER (Italy)
This new musing feels like a nightly gloaming. Acoustic soul-searching and intimate tenderness. The darksome sorrowfulness of the late great Buckley legends floats
all over this gloomy ballad.

Dim the lights and dream away…

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‘Odes’ by DEAFDEAFDEAF (Manchester, UK)
A slow-paced meditation driven by Hill‘s poignant vox and puzzling guitar waves.
London’s sharp-knifed engine shame should take DEAFDEAFDEAF on tour with
them. They share the same outspoken edginess and sonic resonance. Bingo!

Press the play button…


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All together on Spotify

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See/hear you next month, music junkies…

Dark-Wave-Dreamers CROWS ON WIRES Promise To Stay With New Sickly Sticky Single ‘THIS IS NOT’

New sonic impulses…

17 May 2021

Band: CROWS ON WIRES
Who: Mysterious dark-dream-wave project from Dresden, Germany.
Crows on Wires prefer candlelight, enabling listeners to dive into their
spiritual world and to follow their imaginary trip through light and
darkness, through fears and longings.

New single: THIS IS NOT – second one
after last February’s mystique debut C.

Score: Sickly sticky as top-quality glue. Sultry synths, punchy percussion,
glimmering guitar lines, and vibratory vocals. Sounds like Sisters oF Mercy
are back, produced by Bauhaus who listened to Soft Cell on repeat. 180
seconds of hypnotic hauntingness to make one message crystal clear:
Crows on Wires
are here to stay. And they should. This is not over.

This is not our last song.
This is not our last dance.
This is not our last time.
This is not yet all!

Get dizzy here…

Also on Spotify

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CROWS ON WIRES: Facebook