Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – OCTOBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for October 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify

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All knockouts, one by one

‘Magic Medicine’ by DEAP VALLY (California)

After 10 years the sisters in arms want to inject their bond with new musical challenges
to keep their marriage alive and kicking (they’ll be always alive and kicking anyway).

Their new LP called, yes, Marriage and lands on 12 November.

The first taster is a slo-mo synth-vaccinated groove with Lindsey Troy‘s fully charged
guitars all over it and Julie Edwards, as usual taking care of the solid backbone drum
beat. Troy‘s vocals and Edwards echoing voice in the back give the song an extra thrill.

Takeyour medicine here…

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‘Black Widow Spider’ by PARQUET COURTS (Texas / New York)

Last week the wayward Parquet Courts unleashed their 7th album, titled
Sympathy For Life. One of the many highlights is Black Widow Spider.

A sticky head-spinning rocker.

Turn it up, folks…

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‘Faze Out’ by JAMES DOMESTIC (UK)

Expect a slash and trash jackhammer, an angry
spit and sneer storm, a Sturm und Drang uppercut.

143 seconds of furious frustration is what you get. Retro organs
clatter like if a nightmare is just around the corner, but Domestic
thunders like he’s a determined survivor who will not go down
just like that.

Join the wild ride…

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‘Better Than Life’ by GLASS SANDS (London, UK)

I listened to the title track of this London-based singer/songwriter’s new album
about 50 times, so far. It’s a guitar-driven riff-hook-and-lick standout that cuts like
a new Swiss knife with feverish and heartfelt vocals amplifying the dumbfounded
chorus. Holy smoke.

Press play, it’s better than life…


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‘Pennsylvania by JESSE STONE (Montreal, CA)

The rock ‘n roll swagger of Eddie Cochran, the surf guitar electricity
of Link Wray, and the fervent fire of Bo Diddley. Get the punchy
picture? This rollin’ razzle-dazzle riffage will boost your mood.

Get up and twirl yourself dizzy

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‘Staying Here’ by ACTING STRANGE (Scotland)

Stadium rockers The Killers will nod their heads in praise
when they hear this Scottish duo new excellent album
Staying Here.

The title track is a sassy stonker, a glam-synth-bam
banger with a relentless beat and vivacious vocals.
Top cut!

Feel the vibe…

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‘Wild Flowers’ by WARMDUSCHER (London, UK)

London’s funk-punk gang is gearing up
for their big breakthrough album.

This first taster is a trippy bass-driven disco groove you can sway
your hips to in the morning while waking up, in the evening while
getting drunk, and during the day when you’re getting bored.

Fucktastic…

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‘Dad Vibes’ by LIMP BIZKIT (Florida)

I never really liked Limp Bizkit. They wanted
to be the white Rage Against The Machine
and jumped on every crossover bandwagon.

But hey, this new single made my ears flap like crazy.
After all these years I clap for Fred Durst & co.

Rap it up, Fred…

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‘Butterfly Room’ by SHATTERCONES (London)

This fulminating sucker-punch tackles the Brexit Apocalypse with
a raging force and poignant frustration. Watch your back, Bojo!

It comes from their staggering 4-track EP This Septic Isle.

Release the bats…


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Blacked Out‘ by THE MANIC BOYS AND GIRLS CLUB (Toronto, CA)

When surreality becomes reality cry outs like these pop up to translate
alienated feelings that dominate your daily life. This club of two decided
to embed their frustration into a swirling dance stunner for our doomed
generation.

Pithy, peppery, and a blacked-out chorus that sticks as primo glue.
Add glamorous vocals and a glittering full-on wall-of-sound and the
final result is a supersonic stunner.

Here’s why…

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‘It’s Critical’ by SAVING JACKIE (San Antonio, Texas)

The heated rap-rock gang from San Antonio launched
a video for the title track of their debut album.

The clip is a clear-cut message regarding life-threatening diseases.
Flamboyant frontwoman Jenny 4C Ramirez emphasizes the fight
for your life
bravery while making your blood stream faster through
your veins.

Bang your head here…

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‘Chaos Space Marine’ by BLACK COUNTRY, NEW ROAD (London)

These young gunslingers rushed to indie stardom with their ace
jazz and prog-rock influenced debut LP For The First Time.

Isaac Wood (frontman) about this brand new song: “it’s the best song we’ve ever
written. We threw in every idea anyone had with that song. So the making of it was
a really fast, whimsical approach – like throwing all the shit at the wall and just
letting everything stick.”

I smell great shit…


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‘Medicine’ by SLEEPSHAKE (Canada)

A blazing rock slam about the desperate need for stable emotional stimulation.
Blustering guitars, flurried synths, hot-blooded vocals, a discharging chorus, and somewhere in the middle a thunder and lighting guitar solo to electrocute all your
mind-destroying demons. Every time you take this medicine, you’ll get a kick out of it.

If you like British turbo Royal Blood
you’ll go berserk to this cracker too.

Yeahhhhh…

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‘The Met’ by COLATURA (Brooklyn, NY)

Instantly effective pop tunes like these make me smile
from left to right and back. Shiny guitars with shoegazy
sparks, a dizzy-making rhythm, happy-go-lucky sentiments,
and seducing vocals. A song that would turn Taylor Swift
into an indie star.

Check it out…


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‘Count The Death’ by THE CHRONICLES OF MANIMAL AND SAMARA: (London)

A crystal-clear structured protest against greedy political sharks and
megalomaniac charlatans oppressing people for their own devastating
agendas. Again Manimal and Samara show how to fuse poignant poetry
and versatile metal genres.

Manimal and Samara are sonic architects.

Follow their path here…

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‘Blood Moon’ by CONVERGE and CHELSEA WOLFE (USA)

The fab goth-metal gang made an album with goth heroine Chelsea Wolfe
and Cave In‘s Stephen Brodsky. The LP, titled Bloodmoon: I will soundtrack
our nightmares from November 19 on.

Here comes the first piece Blood Moon. A classic mix of deafening bombast,
theatrical doom and gloom, barking voices (except for Chelsea of course), and
hardcore torment. A perfect Halloween monster.

Your Halloween starts here…

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‘Wanna See’ by HANNYA WHITE (London, UK)

White continues her sound-exploring search. Here she fuses
symphonic instrumentation with deep-bass-resonating synth
turbulence. Trippy, dissonant, and even claustrophobic when
short fragments of White‘s restless breathing emerge somewhere
in there.

The ongoing pizzicato violin play adds both an airy and eerie timbre.
I have no idea what the totally silent outro with some echoes of (what
seems to be) firecrackers in the very end, is about. What I do know is
that the first thought that crossed my mind when hearing this, was:
Aphex Twin is back, in disguise.

Stream/buy ‘Wanna See’ here…


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‘Nightmare Pills’ by EX-HYENA

Pretty quick into the song the early days of electronic
British legends Human League and Baxter Dury‘s synth
pop sensuality (especially the female voices) popped up
on my stereo in my head.

It sounds as if this Boston tandem warns us of Big Brother’s ambition to brainwash humankind with mind-altering chemicals with this darksome, yet instantly striking
electro jam. Haunting, feverish, and gloomy are the keywords here. Best played at
night while being dazed and confused by the surreal times we experience the past
18 months.

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‘The Beachland Ballroom’ by IDLES (Bristol, UK)

A new album is canned and sees
the day of light on 12 November.

The lead single is “an honest-to-goodness
soul song named after the iconic Ohio venue.”

Expect the slower side of Idles with hefty eruptions now
and then and frontman Joe Talbot‘s blood cooking.

Feel the heat…

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‘Slow Down’ by MOONWOOD (Sydney)

It’s been a while since I heard an epic belter that evokes
an image on the screen in my head of a massive stadium
filled with a sea of people holding their phones up with
shining lights and scream at the top of their lungs.

This powerful love ballad will
trigger your romantic side…

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See/hear you next month, music junkies…

Sound-Challenging Squad BLACK COUNTRY, NEW ROAD Canned Their 2nd Album And Share Its Lead Single

Daily electricity to load your batteries

14 October 2021


(Press photo by Rosie Foster)

Britpop is back, but not poppy, nor chart-orientated, nor with a macho rock ‘n roll
attitude. No, new British bands like Black Midi, The Murder Capital (well, actually,
they’re Irish), and Black Country, New Road explore other directions.

These young gunslingers dive into not-commerce-orientated sonic territories resulting in experimental exploits of their own containing prog and math rock, jazz, post-psych-punk, and other musical challenges. I agree they do not invent a new wheel, but the way these bands turn different genres upside down and create an adventurous sound without resonating arty-farty or complex is pretty terrific.

One of them, London’s collective BLACK COUNTRY, NEW ROAD stunned with their brilliant jazz-infused debut album For The First Time early this year. And they’re ready
for a second time with the follow-up ANTS FROM UP THERE. Out next year, on 22 February. Order info here.

Press statement: “Almost exactly a year to the day from the release of their acclaimed debut “For the first time”, the band have harnessed the momentum from that record and run full pelt into their second, with “Ants From Up There” managing to strike a skillful balance between feeling like a bold stylistic overhaul of what came before, as well as a natural progression.”

Along with this announcement we get the lead single.

CHAOS SPACE MARINE is “the best song we’ve ever written. We threw in every idea anyone had with that song. So the making of it was a really fast, whimsical approach – like throwing
all the shit at the wall and just letting everything stick.”
says frontman Isaac Wood.

Sounds like great shit to me.

Smell here…


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BLACK COUNTRY, NEW ROAD: Facebook