BLACK COUNTRY, NEW ROAD – Another Notable Piece From Second LP

New striking strokes

4 November 2021


(Press photo by Rosie Foster)

Band: Black Country, New Road

Who: Experimental 7-piece from London producing a hypnotic mix
of prog and math rock, jazz, post-psych-punk, and other musical roads.

In February of this year, they impressed big time with their debut
full length For The First Time entering indie land by the big gates.

New album: ANTS FROM UP THERE.
Out: 22 February 2022
Order info: here

New single: BREAD SONG
Second shared cut after lead
single Chaos Space Marine.

Isaac Wood (vocalist): “We wanted to do the first chorus with no time signature.
I went to see Steve Reich do ‘Music For 18 Musicians’ and there’s a piece where a
bar length is determined by the breath of the clarinet player, they just play until
they run out of breath. I wanted to try that with the whole band, where we don’t
look at each other, we don’t make too many cues, we just try and play without
time, but together.”

Another notable performance from the most fascinating new band of 2021.
Wood‘s feverish and woeful vox leads a sort of slow-moving death march
growing in tenseness along the way before just fading out. Magnetic stuff!

March along…


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BLACK COUNTRY, NEW ROAD: Facebook

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – OCTOBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for October 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify

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All knockouts, one by one

‘Magic Medicine’ by DEAP VALLY (California)

After 10 years the sisters in arms want to inject their bond with new musical challenges
to keep their marriage alive and kicking (they’ll be always alive and kicking anyway).

Their new LP called, yes, Marriage and lands on 12 November.

The first taster is a slo-mo synth-vaccinated groove with Lindsey Troy‘s fully charged
guitars all over it and Julie Edwards, as usual taking care of the solid backbone drum
beat. Troy‘s vocals and Edwards echoing voice in the back give the song an extra thrill.

Takeyour medicine here…

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‘Black Widow Spider’ by PARQUET COURTS (Texas / New York)

Last week the wayward Parquet Courts unleashed their 7th album, titled
Sympathy For Life. One of the many highlights is Black Widow Spider.

A sticky head-spinning rocker.

Turn it up, folks…

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‘Faze Out’ by JAMES DOMESTIC (UK)

Expect a slash and trash jackhammer, an angry
spit and sneer storm, a Sturm und Drang uppercut.

143 seconds of furious frustration is what you get. Retro organs
clatter like if a nightmare is just around the corner, but Domestic
thunders like he’s a determined survivor who will not go down
just like that.

Join the wild ride…

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‘Better Than Life’ by GLASS SANDS (London, UK)

I listened to the title track of this London-based singer/songwriter’s new album
about 50 times, so far. It’s a guitar-driven riff-hook-and-lick standout that cuts like
a new Swiss knife with feverish and heartfelt vocals amplifying the dumbfounded
chorus. Holy smoke.

Press play, it’s better than life…


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‘Pennsylvania by JESSE STONE (Montreal, CA)

The rock ‘n roll swagger of Eddie Cochran, the surf guitar electricity
of Link Wray, and the fervent fire of Bo Diddley. Get the punchy
picture? This rollin’ razzle-dazzle riffage will boost your mood.

Get up and twirl yourself dizzy

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‘Staying Here’ by ACTING STRANGE (Scotland)

Stadium rockers The Killers will nod their heads in praise
when they hear this Scottish duo new excellent album
Staying Here.

The title track is a sassy stonker, a glam-synth-bam
banger with a relentless beat and vivacious vocals.
Top cut!

Feel the vibe…

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‘Wild Flowers’ by WARMDUSCHER (London, UK)

London’s funk-punk gang is gearing up
for their big breakthrough album.

This first taster is a trippy bass-driven disco groove you can sway
your hips to in the morning while waking up, in the evening while
getting drunk, and during the day when you’re getting bored.

Fucktastic…

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‘Dad Vibes’ by LIMP BIZKIT (Florida)

I never really liked Limp Bizkit. They wanted
to be the white Rage Against The Machine
and jumped on every crossover bandwagon.

But hey, this new single made my ears flap like crazy.
After all these years I clap for Fred Durst & co.

Rap it up, Fred…

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‘Butterfly Room’ by SHATTERCONES (London)

This fulminating sucker-punch tackles the Brexit Apocalypse with
a raging force and poignant frustration. Watch your back, Bojo!

It comes from their staggering 4-track EP This Septic Isle.

Release the bats…


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Blacked Out‘ by THE MANIC BOYS AND GIRLS CLUB (Toronto, CA)

When surreality becomes reality cry outs like these pop up to translate
alienated feelings that dominate your daily life. This club of two decided
to embed their frustration into a swirling dance stunner for our doomed
generation.

Pithy, peppery, and a blacked-out chorus that sticks as primo glue.
Add glamorous vocals and a glittering full-on wall-of-sound and the
final result is a supersonic stunner.

Here’s why…

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‘It’s Critical’ by SAVING JACKIE (San Antonio, Texas)

The heated rap-rock gang from San Antonio launched
a video for the title track of their debut album.

The clip is a clear-cut message regarding life-threatening diseases.
Flamboyant frontwoman Jenny 4C Ramirez emphasizes the fight
for your life
bravery while making your blood stream faster through
your veins.

Bang your head here…

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‘Chaos Space Marine’ by BLACK COUNTRY, NEW ROAD (London)

These young gunslingers rushed to indie stardom with their ace
jazz and prog-rock influenced debut LP For The First Time.

Isaac Wood (frontman) about this brand new song: “it’s the best song we’ve ever
written. We threw in every idea anyone had with that song. So the making of it was
a really fast, whimsical approach – like throwing all the shit at the wall and just
letting everything stick.”

I smell great shit…


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‘Medicine’ by SLEEPSHAKE (Canada)

A blazing rock slam about the desperate need for stable emotional stimulation.
Blustering guitars, flurried synths, hot-blooded vocals, a discharging chorus, and somewhere in the middle a thunder and lighting guitar solo to electrocute all your
mind-destroying demons. Every time you take this medicine, you’ll get a kick out of it.

If you like British turbo Royal Blood
you’ll go berserk to this cracker too.

Yeahhhhh…

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‘The Met’ by COLATURA (Brooklyn, NY)

Instantly effective pop tunes like these make me smile
from left to right and back. Shiny guitars with shoegazy
sparks, a dizzy-making rhythm, happy-go-lucky sentiments,
and seducing vocals. A song that would turn Taylor Swift
into an indie star.

Check it out…


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‘Count The Death’ by THE CHRONICLES OF MANIMAL AND SAMARA: (London)

A crystal-clear structured protest against greedy political sharks and
megalomaniac charlatans oppressing people for their own devastating
agendas. Again Manimal and Samara show how to fuse poignant poetry
and versatile metal genres.

Manimal and Samara are sonic architects.

Follow their path here…

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‘Blood Moon’ by CONVERGE and CHELSEA WOLFE (USA)

The fab goth-metal gang made an album with goth heroine Chelsea Wolfe
and Cave In‘s Stephen Brodsky. The LP, titled Bloodmoon: I will soundtrack
our nightmares from November 19 on.

Here comes the first piece Blood Moon. A classic mix of deafening bombast,
theatrical doom and gloom, barking voices (except for Chelsea of course), and
hardcore torment. A perfect Halloween monster.

Your Halloween starts here…

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‘Wanna See’ by HANNYA WHITE (London, UK)

White continues her sound-exploring search. Here she fuses
symphonic instrumentation with deep-bass-resonating synth
turbulence. Trippy, dissonant, and even claustrophobic when
short fragments of White‘s restless breathing emerge somewhere
in there.

The ongoing pizzicato violin play adds both an airy and eerie timbre.
I have no idea what the totally silent outro with some echoes of (what
seems to be) firecrackers in the very end, is about. What I do know is
that the first thought that crossed my mind when hearing this, was:
Aphex Twin is back, in disguise.

Stream/buy ‘Wanna See’ here…


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‘Nightmare Pills’ by EX-HYENA

Pretty quick into the song the early days of electronic
British legends Human League and Baxter Dury‘s synth
pop sensuality (especially the female voices) popped up
on my stereo in my head.

It sounds as if this Boston tandem warns us of Big Brother’s ambition to brainwash humankind with mind-altering chemicals with this darksome, yet instantly striking
electro jam. Haunting, feverish, and gloomy are the keywords here. Best played at
night while being dazed and confused by the surreal times we experience the past
18 months.

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‘The Beachland Ballroom’ by IDLES (Bristol, UK)

A new album is canned and sees
the day of light on 12 November.

The lead single is “an honest-to-goodness
soul song named after the iconic Ohio venue.”

Expect the slower side of Idles with hefty eruptions now
and then and frontman Joe Talbot‘s blood cooking.

Feel the heat…

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‘Slow Down’ by MOONWOOD (Sydney)

It’s been a while since I heard an epic belter that evokes
an image on the screen in my head of a massive stadium
filled with a sea of people holding their phones up with
shining lights and scream at the top of their lungs.

This powerful love ballad will
trigger your romantic side…

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See/hear you next month, music junkies…

Sound-Challenging Squad BLACK COUNTRY, NEW ROAD Canned Their 2nd Album And Share Its Lead Single

Daily electricity to load your batteries

14 October 2021


(Press photo by Rosie Foster)

Britpop is back, but not poppy, nor chart-orientated, nor with a macho rock ‘n roll
attitude. No, new British bands like Black Midi, The Murder Capital (well, actually,
they’re Irish), and Black Country, New Road explore other directions.

These young gunslingers dive into not-commerce-orientated sonic territories resulting in experimental exploits of their own containing prog and math rock, jazz, post-psych-punk, and other musical challenges. I agree they do not invent a new wheel, but the way these bands turn different genres upside down and create an adventurous sound without resonating arty-farty or complex is pretty terrific.

One of them, London’s collective BLACK COUNTRY, NEW ROAD stunned with their brilliant jazz-infused debut album For The First Time early this year. And they’re ready
for a second time with the follow-up ANTS FROM UP THERE. Out next year, on 22 February. Order info here.

Press statement: “Almost exactly a year to the day from the release of their acclaimed debut “For the first time”, the band have harnessed the momentum from that record and run full pelt into their second, with “Ants From Up There” managing to strike a skillful balance between feeling like a bold stylistic overhaul of what came before, as well as a natural progression.”

Along with this announcement we get the lead single.

CHAOS SPACE MARINE is “the best song we’ve ever written. We threw in every idea anyone had with that song. So the making of it was a really fast, whimsical approach – like throwing
all the shit at the wall and just letting everything stick.”
says frontman Isaac Wood.

Sounds like great shit to me.

Smell here…


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BLACK COUNTRY, NEW ROAD: Facebook

These Are TURN UP THE VOLUME’s 15 BEST ALBUMS Of 2021 (So Far)

1 July 2021

1. ‘Calvacade’ by BLACK MIDI (UK)

Released: 26 May 2021 – their second album

Turn Up The Volume: From outlandish sonority – think Scott Walker – to Zappa-esque adventurousness, from a ‘normal’ song (Marlene Dietrich) to free jazz weirdness. The sonic mind of this impressively inventive band is both inscrutable and intriguing. Cavalcade confirms the experimental brilliance of their debut LP. Miles Davis experimenting with guitars in the 21st Century.

Key Track: John L

Full album…

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2. ‘FULL SPECTRUM’ by THE CHRONICLES OF MANIMAL AND SAMARA (Singapore/Italy)

Released: 26th February 2021 – debut LP

Turn Up The Volume: Manimal and Samara are a poetallica sensation. Imagine Sylvia
Plath
fronting a theatrical and mind-challenging psychedelic noise band. Their debut album is a multi-faceted opus in sound and vision. Compelling poetry embedded in a titanic thunder and lighting symphony going from perplexing metal to chill-out ambient. The final result is at times jaw-dropping, at times confusing, at times dumbfounding but always fascinating. When surreality becomes reality you know something is about to happen.

Key track: Psychopath’s Monologue


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Stream album here…

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3. Album: SEEK SHELTER by ICEAGE (Denmark)

Released: 7 May 2021 – 5th LP

Turn Up The Volume: Finally, Iceage do what they were expected to do for a long
time. Creating a standout album that makes the hair in the back of your neck stand
up. Melodramatic with ardency, impassioned with vigour, romantic with grimness. Charismatic frontman Elias Bender Rønnenfelt leads the troops as never before.
Their fifth, their best.

Key track: Vendetta

Full album…


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4. ‘SURVIVORS’ by ONISM E (San Antonio / NYC)

Released: 19th February 2021 – debut album

Turn Up The Volume wrote: Gusto, high-spiritedness, and anxiety are the
keywords here. This warm-blooded record is a heart-rending reflection of the
group’s state of 2021 mind. A galvanizing collection of cohesive poignant emo
songs influenced by the disturbing way our troubled world is handling human
issues, once-in-a-lifetime dramas, and the personal turmoil of frontwoman Chavez.
Her soul-stirring and powerful (Aretha Franklin / young Tina Turner) voice, weeping
guitars, and the electrical intensity are at times overwhelming and heartbreaking. Impressive!

Key track: Stay


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Stream/buy album here…


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5. ‘i became birds’ by home is where (florida, us)

released: 5 march 2021 – debut album

turn up the volume: i’m damn sure this incredible punch-powered-punk-passion
turbo was here before, about 40 years ago, inspiring bored kids like black flag, shellac, melvins, jello biafra, and other anarchist snotnoses, to leave home, steal guitars and drums in order to have some wild fun while scaring bad people with their deafening racket. so here they are back again, inspiring young social media junkies to steal guitars and drums instead of watching their phones all day long. home is where it all starts when you have no money to rent a smelly rehearsal room to rock your heads off. so you move into your own basement and scream your poor lungs to pieces. listen up all you lost teenagers out there, play i became birds over and over again ’cause these hungry florida misfits can and will save your lives. home is where this fuck-and-punk-tastic record is made.

key track: sewn together from the membrane of the great sea cucumber


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Stream/buy here…


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6. ‘For The First Time’ by BLACK ROAD, NEW ROAD (London)

Released: 5 February 2021 – debut LP

Turn Up The Volume says: Like Pavement going prog rock with the sound- exploring
state of mind of Godspeed You! Black Emperor. Jazzy and classical music textures make sure your curious mind is focused all the time. And singer Isaac Wood‘s voice resonates freakishly identical to the chilling voice of American songwriter Conor Oberst from indie band Bright Eyes. It’s not a happy record, but who needs cheesy pop tunes all the time in these science-fiction-like times, anyway. I know it’s their first time, but these hungry noise crusaders will stun us again and again in the future. Believe the hype.

Key track: Science Fair

Full album…


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7. ‘CARNAGE’ by NICK CAVE & WARREN ELLIS (Australia)

Released: 25 February 2021

Turn Up The Volume: This black and white pearl is a mix of the romantic crooner and
the haunting crooner. Growing with every spin. Compelling orchestrations, classical arrangements, with Ellis showing his musical skills once more. Can’t remember when Cave made an average album. Did he, actually? Okay, Carnage once again on my headphones.

Key track: White Elephant

Stream album here…

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8. ‘WE… ARE DOOMED’ by THE IRRATIONAL LIBRARY (The Netherlands)

Released: 15 January 2021

Turn Up The Volume: The rap and roll venom of Rage Against The Machine, the fuck-you-hypocrites grimness of Black Flag, the punky saxophone of X-Ray-Spex, the sharp poetic spit and sneer anarchy of Mark. E. Smith, the challenging spirit of open-minded-plainspoken-ass-kicking-anti-establishement doom and gloom crusaders. Sounds exactly like 2020/2021, like the end of the world as we know it, but also like an album that’s going to be on my earphones for a long time.”

Title track: We… Are Doomed

Stream album here…

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9. ‘G_d’s Pee AT STATE’S END!’ by GODSPEED YOU! BLACK EMPEROR (Canada)

Released: 2 April 2021 – 7th longplayer

Turn Up The Volume: A fitting soundtrack for a funeral. The funeral of humankind. The funeral of the planet we, ourselves, destroyed. Somber and apocalyptic. Repetitive doom-and-gloom psychedelia. Repetitive wall-of-guitar-scapes. Goosebumps all the way. But in the end, Godspeed thinks we will start all over again, a new beginning, a new future. Let’s hope so.

Stream/buy here…


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10. ‘Blue Weekend’ by WOLF ALICE (London)

Released: 4 June 2021 – third LP

Turn Up The Volume: Except for flaming rockers Smile and Play The Greatest Hits
the band takes a different direction with a stream of epic ballads with gospel-like
choirs (The Last Man On earth), emotional symphonies (How Can I Make It OK?) with
multi-layered goosebumps harmonies and orchestrated pop brilliance overall.

Key track: The Last Man On Earth

Full album…

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11. Mutator by ALAN VEGA

12. New Fragility by CLAP YOUR HANDS SAY YEAH

13. Putain Royale by PINK ROOM

14. As Days Get Dark by ARAB STRAP

15. Vivre by ARNO

Young Misfits BLACK COUNTRY, NEW ROAD Cover… ABBA

21 June 2021

Band: BLACK COUNTRY, NEW ROAD
Who: Seven young London misfits who made
an immense impression with their wayward
prog-post-punk-and-post-jazz debut album
For The First Time, released last February.

Covered song: MAMMA MIA (1975)
by Swedish hit machine ABBA

Here’s the live version as played yesterday at
a (socially distanced) gig in Birkenhead, UK.
Big fun, folks!

Mamma mia, here we go again…

The original

BLACK COUNTRY, NEW ROAD: Facebook

New Hype BLACK COUNTRY, NEW ROAD Covers MGMT – Time To Listen!

16 February 2021

To my ears, 2008 single TIME TO PRETEND still is the best thing
American electro pop eccentrics MGMT ever did. A gloriously
catchy fantasy tune about being a rock star.

New British hype BLACK COUNTRY, NEW ROAD launched their
highly praised art rock-jazz-pop debut LP For The First Time two
weeks ago. Just before the release, they shared their interpretation
of Time To Pretend. They slowed it down and turned it into a
stunning, melodramatic ballad.

Here’s their pretty WOW version…

I’m feelin’ rough, I’m feelin’ raw
I’m in the prime of my life
Let’s make some music, make some money
Find some models for wives
I’ll move to Paris, shoot some heroin and fuck with the stars
You man the island and the cocaine and the elegant cars

This is our decision to live fast and die young
We’ve got the vision, now let’s have some fun
Yeah, it’s overwhelming, but what else can we do?
Get jobs in offices and wake up for the morning commute?

Original

BLACK COUNTRY, NEW ROAD: Facebook